Do you ever wonder how the Battersea conversation would have gone if it really had been Mycroft waiting for John, instead of Irene?
For a second I thought this was a real line and then I started crying
Not taking any chances
I scrolled past this and the guilt was too much
An AU where for your entire life you’ve only seen black and white, until you receive the first touch from your soulmate and color blooms before your very eyes. The colors don’t stay when you’re alone, but when they’re there by your side and you’re touching? Everything is beautiful.
But what if you touch them and you look around and see all the colors, and beauty.You get caught in the moment and ask ”Do you see it too?” And they reply “What are you talking about?”
That’s okay, I didn’t need my heart.
It’s raining, it’s pouring
Sherlock is boring.
I’m laughing, I’m crying
Sherlock is dying.
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi 3 years long exposures: read “The passing of time“, (on Socks).
I want this written across my ceiling.